Authenticating White Trash: The performance of country music in O Brother,...
Abstract: This essay explores the way white trash identity is performed through country music. In particular, the focus is on the way the film O Brother, Where Art Thou? (Joel Coen, 2001) uses a...
View ArticleEditorial: Matthew Sini and Angie Knaggs
What does it mean to say a text is within, or representative of, a transitional state? Is such a position even possible given we must always choose a point of fixity from which to proceed in our...
View Article“A series of emotional remembrances”: Echoes of Bernard Herrmann – Daniel...
1965 was not a good year for Bernard Herrmann. In his personal life, after fifteen years, his marriage to Lucy Anderson had ended in divorce. In his professional life, his career as a film composer was...
View ArticleBlockbusters for the YouTube Generation: A new product of convergence culture...
Abstract: While scholars have paid much attention to YouTube in a Web 2.0 environment, the YouTube blockbuster is yet to be discussed as part of this convergence culture. It differs from transmedia...
View ArticleOn Cinema, Stars, Boleros y Comedia: Contesting Cold War Repression through...
Abstract: This article explores the role that La Opinion, a Mexican American press that rose to meet the growing needs of Mexicans of first and second generation in the U.S. Southwest, played in...
View ArticleReaching for the Screen in Nine Inch Nails’ ‘Lights in the Sky’– Katheryn Wright
Abstract: During the Nine Inch Nails’ Lights in the Sky tour in 2008, Trent Reznor made use of two semi-transparent stealth screens layered in front of a third screen through which the band performed...
View ArticleVolume 26
Contents “Children should play with dead things”: transforming Frankenstein in Tim Burton’s Frankenweenie – Erin Hawley “You gave me no choice”: A queer reading of Mordred’s journey to villainy and...
View Article‘Rock‘n’roll’s evil doll’: the Female Popular Music Genre of Barbie Rock –...
Abstract: Fostering male tradition in popular music, rock’n’roll history often underrated the early Girl Group chart-topping era of 1958-63 after Elvis and before Beatlemania. By the 1990s-2000s, Riot...
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